打小人

Field notes

Jingzhe: The Day Hong Kong Curses Its Villains

Every folk ritual has a working season. Villain hitting compresses its season into one day. The day arrives in early March, it is called Jingzhe, and it turns the pavement under the Canal Road Flyover in Causeway Bay into something rare anywhere on earth: a queue for professional cursing.

The third solar term

The traditional East Asian calendar splits the year into 24 solar terms, set by the position of the sun along its path. Lunar months drift against the seasons. The solar terms hold still, which is why farmers ran their year on them for centuries. Each term names what the land is doing at that moment. The one before Jingzhe announces the spring rains. The one after marks the spring equinox.

Jingzhe, 驚蟄, is the third term, usually rendered in English as the Awakening of Insects. It falls in early March, most years on the 5th or 6th.

The name records a specific event. The first spring thunder rolls over the warming ground, and the insects that spent winter dormant in the soil wake and begin to move. That is the entire entry. An almanac note for farmers: the bugs are back.

How a farming date became the day of the curse

Southern Chinese folk logic took the almanac entry and kept going. If the insects wake on Jingzhe, so does everything else small and troublesome. Gossip starts circulating again. Old grudges stir, and the 小人 themselves, the petty people whose name the ritual carries, crawl out of hibernation along with the beetles.

From there the conclusion draws itself. The day every small nuisance wakes up is the correct day to knock them back down. So Jingzhe became the festival of 打小人, daa2 siu2 jan4 in Cantonese, the one date with official standing in the cursing calendar.

The ritual itself never went seasonal. The practitioners under the flyover, mostly women in their sixties to eighties, work their stalls in July and in November, and the eight fixed movements they perform do not change with the month. What is da siu yan walks through the full sequence if you have never seen one. The recognition, though, came from the festival. Hong Kong put villain hitting in its first intangible cultural heritage inventory in 2014, and Time had already put the practice in a Best of Asia list in 2009. Both citations rest on what this one day in March looks like.

The White Tiger opens its mouth

One movement in the ritual belongs to Jingzhe more than the others. Tradition says the White Tiger, 白虎, wakes on the same day as the insects, and wakes hungry, mouth open. In the folk telling, an open-mouthed tiger spends the year biting whoever crosses its path, which shows up in a person’s life as quarrels and trouble they did not start.

The remedy is food. The practitioner smears pork fat on the mouth of a paper tiger. A tiger with its mouth full of grease cannot bite, and the story says one good feeding holds it for the rest of the year.

This is why 祭白虎, the feeding of the White Tiger, sits fifth among the eight movements, straight after the beating with the shoe. The paper tiger gets its pork fat on any day you commission the ritual. On Jingzhe, the day the tiger is said to actually wake, the feeding lands on schedule. People who do the ritual once a year tend to pick this day for that reason.

Under the flyover on Jingzhe

I have stood under the Goose Neck Bridge on an ordinary weekday afternoon. The stalls are quiet. An auntie folds paper and waits. A tourist or two wanders past, unsure whether watching is allowed. You walk up, pay about HK$50, and the whole thing is over in around a quarter of an hour.

On Jingzhe the same stretch of pavement operates at capacity. Queues form before noon. Through the lunch hour, office workers arrive from Causeway Bay and Wan Chai with their lanyards still on and line up between the tram tracks and the concrete pillars, spending their break on a beating an auntie carries out on their behalf. Incense smoke sits under the flyover and does not clear. From every stall comes the slap of a shoe on paper, out of sync, for hours. Most years a local news crew turns up to film it, since the day is a fixture of the city’s calendar. Stall prices rise for the day, the way festival prices rise anywhere. Our price guide covers the normal rates, and meet the aunties of Canal Road Flyover covers who is holding the shoe.

The aunties spend much of the year with time on their hands. They spend Jingzhe working through a line.

Jingzhe or a quiet Tuesday

The honest answer first: the ritual is identical on both days. The same eight movements in the same order, from the invocation at the start to the moon blocks at the end. Nothing in the sequence gains force from the date. Tradition gives Jingzhe its standing, and tradition counts for something, but the shoe hits the paper the same way in March as in September.

Regular clients mostly avoid the day. They want a quiet stall and an auntie with time to hear the grievance read properly, without a queue shifting its weight behind them. A grievance mumbled at speed between two other customers gets less of her attention than the same grievance on an empty Tuesday. Other people want the festival itself, the smoke, and the feeling of doing the thing on the day the whole city does it. Both preferences make sense, and the aunties will take your HK$50 on either day.

Our standing advice applies here too. If you can get to Causeway Bay in person, go. On Jingzhe the spectacle comes included in the price, along with the wait. If you cannot get there, that choice is exactly what villain hitting online vs in person is about. And on the question of whether any of this works, we make no claims on any day of the year. Is villain hitting real goes into that at length.

Ordering a filmed ritual around Jingzhe

If Hong Kong is out of reach, we film the ritual for you. You give us the villain’s first name and nothing more identifying than that, you pick a villain type, and you write one line of grievance. The auntie reads your line out loud at the stall under the Canal Road Flyover and performs the full ritual while our camera stays on her. By email you get the uncut ritual, which runs eight to twelve minutes, plus a 30-second vertical cut for showing people, and a photo of the ashes. The price is US$15, once. How to order villain hitting online lays out each step, and you can book a filmed ritual at any point in the year.

The Jingzhe-specific advice is short: order early. Our guarantee runs on a clock. Your ritual gets filmed within six days of the order or you get your money back, and the video reaches your inbox within 72 hours of filming. Around Jingzhe, filming slots batch up. Everyone who spent the year thinking about their villain acts in the same week, and the bridge itself is at its most crowded, which slows the stalls down. The clock is easier to honour in late February than in the first days of March.

If you want your filming to happen on Jingzhe itself, place the order about a week ahead and tell us so when you order. If the date matters less to you than the ritual, any week does the job. The insects wake once a year. The aunties work most days.

The short version

One first name. One shoe. One video.

US$15, filmed at Goose Neck Bridge within 6 days, in your inbox 72 hours later.Fill the slip or read how it works first.

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